“Some of today’s cameras shoot so clean, their recordings look too digital,” Rabinowitz said. Renoiser includes 16 noise/grain presets based on real film stocks and with the boost of Adobe’s Mercury Playback Engine delivers results in real time. On the flip side, there is a new tool called Renoiser that gives video footage a film-like texture and grain. In Premiere Pro and and After Effects you now have the ability to access Colorista IV through an adjustable panel that can be resized like an adaptive Web layout.ĭenoiser III has been rewritten from scratch powered by technology from wrnch [typo note: yes, “wrnch” is missing an”e”}, the uniquely-spelled computer vision startup backed by investor Mark Cuban. Colorista IV lets you load your own LUT (Look Up Table) or the ones Red Giant provides. Then you’ll get to Colorista IV, the major color correction tool, which now features a step-by-step Guided Color Correction process as an educational ally.

“It also lets you resize its ‘scopes for really detailed work.” “If you shoot Log or flat, Looks 4.0 can instantly give your footage the brightness and contrast that makes it ready for color grading,” Rabinowitz said. Looks 4.0 offers more than 50 new presets, now totaling more than 200, a new “favorite” looks feature, that lets you store an image reference library for comparison. OpenCL (Open Computing Language) is the royalty-free standard for significantly enhanced cross-platform parallel programming of diverse processors. Touring through Magic Bullet Suite 13 starts with Looks 4.0, which like five of the seven tools in this new release, delivers real time performance thanks to new OpenCL support. If you watch the video at the top of this article, you might understand the enthusiasm that infects Red Giant users. Now, with the new Suite 13, the company has given everyone a set of tools that, frankly, makes color correction intuitive.” “But when I saw the first version of Red Giant's Magic Bullet, I became a believer. “When I started as a visual effects artist and motion graphics animator, I gotta admit I was intimidated by color correction,” Aharon Rabinowitz, head of marketing at Red Giant, told The Broadcast Bridge.

Red Giant has given every color correction, finishing and film looks tool in its Red Giant Suite for Adobe’s Creative Cloud and Apple’s Final Cut Pro X major feature upgrades and super-powered them with GPU acceleration.

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